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Thursday, August 11, 2016

All TV Should Be Like Carpool Karaoke

One of the reasons Carpool Karaoke has taken the world by storm is it finally solves the problem which has been apparent to the people in front of the camera for years but never seemed to get through to the people behind the camera - what makes performers nervous is not the thought of the millions of people at home; it's the thought of the half-dozen camera operators and production personnel who are standing just a few feet away.

Carpool Karaoke is shot the same way that Top Gear is, in cars kitted out with invisible cameras and microphones, with all the production staff relegated to vehicles either preceding or following. Corden's completely in charge and all the star's fluffers, minders and supernumaries are too far away to get in the way.

I once did a couple of things like this for a cable channel. I drove around Manchester interviewing Tony Wilson and drove around London interviewing Bryan Ferry. I can't tell you how liberating this was compared to the standard TV interview experience.

In fact, all telly should be done like this.