"Master of None", which couldn't be more contemporary. The choice of music – Beach House, Kurt Vile, The War On Drugs, Father John Misty, Michael Kiwanuka and so on – literally and metaphorically underscores this. Last night I watched the episode where he hooks up (it's the world of hooking up) with Claire Danes. I'd never heard the play-out music before. I couldn't date it but the voice sounded familiar. Surely it couldn't be Eric Burdon. It was.
"Cheating" by the Animals didn't even get on their 1966 album "Animalisms" but it was a bonus track on a recent reissue. Now, like Chris Stainton's riff from "Woman To Woman" which lay in obscurity until Tupac's "California Love", and Badfinger's " Baby Blue" which had its moment in the sun over forty years after release as the last tune in "Breaking Bad", "Cheating" comes blinking into the light thanks to the patronage of a young actor who doesn't have a clue who the Animals were and doesn't need to.
Why are television and film producers so much better at picking something because of the vibe, as Ansari explains here, than radio people are?