Monday, September 24, 2012
When London was a mystery and Time Out had the key
The Times, "circulation as a paid-for title had almost halved since its late-Nineties’ peak of 110,000". I suspect that if it really was selling 55,000 copies a week on the news stand they wouldn't be making this move.
I was talking about music and media at the Reeperbahn Conference in Hamburg last week. One of the things I tried to get through to a younger audience is just how the communications revolution of the last ten years has made it difficult for us to remember the world before that revolution, when there was still such a thing as scarcity.
No title benefited from that scarcity quite as much as Time Out. In the golden era of Time Out, which went from the mid-70s to the 90s, if you wanted to know what was on at your local cinema or whether that film you wanted to see was on somewhere else, you went to Time Out. If you needed the phone number of the Hammersmith Odeon box office, you went to Time Out. If you wanted to know who QPR were going to be playing at the weekend, whether you could get a ticket and where the nearest tube was, you went to Time Out. If you wanted a vegetarian restaurant in East London, you went to Time Out.
It pulled off lots of coups in terms of design and journalism but beneath the surface it operated as a sort of alternative telephone directory. That's what made it sell. I can't remember the last time I looked up a phone number on paper and called it.